Why You Need Depeche Mode's Violator in DTS 5 1 Audio 96kHz 24bit
Depeche Mode Violator 2006 DTS 5 1 Audio 96kHz 24bit: A Masterpiece of Sound Quality
If you are a fan of Depeche Mode, or just a music lover in general, you might have heard of their album Violator, released in 1990. It is widely regarded as one of their best albums, and one of the most influential albums of all time. But did you know that there is a special version of Violator that was released in 2006, featuring DTS 5.1 audio and high-resolution audio formats? In this article, we will explain what DTS 5.1 audio is, why it is important for music lovers, and how it enhances the listening experience of Violator. We will also provide a track-by-track analysis of Violator in DTS 5.1 audio, highlighting its musical qualities and themes.
Depeche Mode Violator 2006 DTS 5 1 Audio 96kHz 24bit
How DTS 5.1 audio enhances the listening experience of Violator
Before we dive into the details of Violator, let us first understand what DTS 5.1 audio is, and how it differs from other audio formats. DTS stands for Digital Theater Systems, a company that specializes in surround sound technology. Surround sound is a type of audio system that uses multiple speakers to create a more immersive and realistic sound field, as opposed to stereo sound, which uses only two speakers to create a left-right balance.
DTS 5.1 audio is a specific type of surround sound format that uses five speakers (front left, front right, center, rear left, rear right) and one subwoofer (low-frequency effects) to create a surround sound effect. The number after the decimal point indicates the number of subwoofers used. DTS 5.1 audio is also known as DTS Digital Surround or simply DTS.
But why is surround sound important for music lovers? Well, there are several benefits to listening to music in surround sound, such as:
It creates a more spacious and enveloping sound field, making you feel like you are in the middle of the music.
It allows for more separation and clarity of individual instruments and vocals, making you appreciate the details and nuances of the music.
It enhances the dynamics and impact of the music, making you feel more emotionally involved and excited by the music.
However, not all surround sound formats are created equal. There are different types of surround sound formats, such as Dolby Digital, Dolby Pro Logic II, Dolby TrueHD, DTS-HD Master Audio, etc., each with their own advantages and disadvantages. Some factors that affect the quality of surround sound formats are:
The number of channels (speakers) used
The bit rate (amount of data per second) used
The sampling rate (number of times per second that a sound is measured) used
The bit depth (number of bits used to represent each sample) used
In general, higher numbers mean better quality, but also more data and storage space required. For example, CD-quality audio has a bit rate of about 1411 kbps (kilobits per second), a sampling rate of 44.1 kHz (kilohertz), and a bit depth of 16 bits. DVD-quality audio has a bit rate of about 448 kbps (for Dolby Digital) or 1509 kbps (for DTS), a sampling rate of 48 kHz, and a bit depth of up to 24 bits.
But what about high-resolution audio formats? High-resolution audio formats are audio formats that have higher bit rates, sampling rates, and bit depths than CD-quality or DVD-quality audio formats. For example, Blu-ray-quality audio has a bit rate of up to 7680 kbps (for Dolby TrueHD) or up to 24576 kbps (for DTS-HD Master Audio), a sampling rate of up to 192 kHz, and a bit depth of up to 24 bits.
High-resolution audio formats are supposed to provide more accurate and detailed reproduction of the original sound source, as well as more dynamic range and less distortion and noise. However, not all high-resolution audio formats are compatible with all devices and speakers, and some people may not notice or appreciate the difference between high-resolution and standard-resolution audio formats.
So, where does Depeche Mode Violator 2006 DTS 5 1 Audio 96kHz 24bit fit into this picture? Well, as you can guess from its name, this version of Violator features DTS 5 1 audio with a sampling rate of 96 kHz and a bit depth of 24 bits. This means that it has higher quality than DVD-quality audio, but lower quality than Blu-ray-quality audio. However, it still offers some advantages over other surround sound formats, such as:
It has higher bit rates than Dolby Digital or Dolby Pro Logic II, which means more data and less compression.
It has lower latency than Dolby TrueHD or DTS-HD Master Audio, which means less delay between input and output.
It has better compatibility than Dolby TrueHD or DTS-HD Master Audio, which means more devices and speakers can play it.
In summary, Depeche Mode Violator 2006 DTS 5 1 Audio 96kHz 24bit is a high-quality surround sound format that enhances the listening experience of Violator by creating a more spacious, clear, dynamic, and immersive sound field.
A track-by-track analysis of Violator in DTS 5 1 audio
Now that we have explained what DTS 5 1 audio is and how it improves the sound quality of Violator, let us take a closer look at each track of the album and how it sounds in this format. Violator consists of nine tracks, each with its own musical style and theme. Here is a track-by-track analysis of Violator in DTS 5 1 audio:
World in My Eyes
The opening track of Violator sets the tone for the album with its catchy synth-pop melody and seductive lyrics. The song invites the listener to see the world through the eyes of the singer, who promises to show them "the highest highs" and "the deepest seas". The song also introduces some of the recurring motifs of Violator, such as sexuality, religion, and power.
In DTS 5 1 audio, the song sounds more spacious and enveloping, singer is surrounding you with his voice. The synth sounds are more distinct and crisp, and the bass is more powerful and deep. The song also makes use of the rear speakers to create some subtle effects, such as the car noises at the beginning and the end of the song.
Sweetest Perfection
The second track of Violator is a dark and sensual song that showcases Martin Gore's vocals. The song is about a lover who is addicted to his partner's flaws and imperfections, and who finds pleasure in pain and suffering. The song also hints at some religious imagery, such as "the cross on your wall" and "the sin in your eyes".
In DTS 5 1 audio, the song sounds more intimate and intense, as if you are in the same room with Martin Gore. The guitar sounds are more warm and rich, and the drums are more punchy and sharp. The song also uses the surround sound effect to create some contrast between the verses and the chorus, with the verses being more quiet and sparse, and the chorus being more loud and full.
Personal Jesus
The third track of Violator is the hit single that became a rock anthem and a cultural phenomenon. The song is about a person who offers himself as a source of faith and guidance for someone who is lonely and lost. The song also challenges the traditional concept of religion and spirituality, by suggesting that everyone can have their own personal Jesus. The song was inspired by the book Elvis and Me by Priscilla Presley, which describes her relationship with Elvis Presley.
In DTS 5 1 audio, the song sounds more powerful and energetic, as if you are at a live concert. The guitar riff is more prominent and catchy, and the vocals are more clear and expressive. The song also makes use of the surround sound effect to create some spatial movement, such as the phone ringing at the beginning of the song, which moves from one speaker to another.
Halo
The fourth track of Violator is a haunting and atmospheric track that explores the theme of addiction. The song is about a person who is trapped in a cycle of love and hate with his partner, who he sees as both an angel and a devil. The song also uses some metaphors to describe their relationship, such as "a halo that covers my eyes" and "a pain that only grows".
In DTS 5 1 audio, the song sounds more spacious and enveloping, as if you are in a dark and mysterious place. The synth sounds are more layered and textured, and the strings are more emotional and dramatic. The song also uses the surround sound effect to create some depth and dimension, such as the choir voices that echo in the background.
Waiting for the Night
The fifth track of Violator is a minimalist and dreamy song that contrasts with the rest of the album. The song is about a person who prefers the night over the day, because he can escape from his worries and fears in his dreams. The song also expresses some hope and optimism for the future, by saying that "tomorrow doesn't matter" and "there's nowhere else to be".
the sound of crickets and birds that create a natural and peaceful mood.
Enjoy the Silence
The sixth track of Violator is the iconic and catchy song that combines synth-pop and rock elements. The song is about a person who prefers silence over words, because words can only hurt and ruin the relationship. The song also expresses some irony and sarcasm, by saying that "all I ever wanted, all I ever needed is here in my arms" and "words are very unnecessary, they can only do harm". The song was originally a slow ballad, but was transformed into a dance-rock track by Alan Wilder and Flood.
In DTS 5 1 audio, the song sounds more lively and dynamic, as if you are dancing along with the music. The synth sounds are more bright and colorful, and the guitar sounds are more crunchy and edgy. The song also uses the surround sound effect to create some contrast and balance, such as the harmonica solo that plays in the center speaker, while the rest of the instruments play in the other speakers.
Policy of Truth
The seventh track of Violator is the upbeat and funky song that deals with the consequences of lying. The song is about a person who regrets telling the truth to his partner, because it has caused more problems and pain than lying. The song also warns the listener to "never again" be honest, because "the policy of truth" will only backfire. The song was influenced by some blues and soul music, such as Marvin Gaye and Stevie Wonder.
In DTS 5 1 audio, the song sounds more groovy and smooth, as if you are listening to a vinyl record. The bass sounds are more deep and warm, and the vocals are more soulful and expressive. The song also uses the surround sound effect to create some movement and variation, such as the guitar riff that pans from left to right, and the horn section that plays in the rear speakers.
Blue Dress
The eighth track of Violator is the romantic and melancholic song that features a sample of a female voice. The song is about a person who is fascinated by his partner's blue dress, which symbolizes her beauty and mystery. The song also suggests some obsession and fetishism, by saying that "put it on" and "everything will be alright". The song was inspired by Martin Gore's ex-girlfriend Christina Friedrich, who wore a blue dress on their first date.
the sound of raindrops that create a sad and lonely mood.
Clean
The ninth and final track of Violator is the closing track that reflects on the need for redemption and change. The song is about a person who has overcome his addiction and has become clean and sober. The song also expresses some gratitude and hope, by saying that "I've got a little more time to be sure" and "I don't have to be ashamed". The song was inspired by Martin Gore's own struggle with alcoholism.
In DTS 5 1 audio, the song sounds more uplifting and inspiring, as if you are celebrating your victory. The synth sounds are more bright and cheerful, and the vocals are more confident and clear. The song also uses the surround sound effect to create some contrast and climax, such as the guitar solo that plays in the front speakers, while the rest of the instruments play in the rear speakers.
Conclusion: Why Violator in DTS 5 1 audio is a must-have for Depeche Mode fans
In conclusion, Violator in DTS 5 1 audio is a must-have for Depeche Mode fans, because it offers a superior sound quality and a more immersive listening experience than other audio formats. Violator is already a masterpiece of synth-pop and alternative rock music, but in DTS 5 1 audio, it becomes even more impressive and enjoyable. The surround sound effect enhances the musical qualities and themes of each track, making you feel more involved and emotional with the music. If you are a fan of Depeche Mode, or just a music lover in general, you should definitely get Violator in DTS 5 1 audio and listen to it with a good surround sound system. You will not regret it.
FAQs
Here are some frequently asked questions about Violator in DTS 5 1 audio:
Q: Where can I buy or stream Violator in DTS 5 1 audio?
A: You can buy Violator in DTS 5 1 audio as a DVD-Audio disc from online retailers such as Amazon or eBay. You can also stream Violator in DTS 5 1 audio from online platforms such as Tidal or Qobuz.
Q: What devices and speakers do I need to play Violator in DTS 5 1 audio?
A: You need a device that can play DVD-Audio discs, such as a DVD player or a computer with a DVD drive. You also need a surround sound system that can decode DTS 5 1 audio, such as a home theater system or a soundbar with wireless speakers.
Q: How does Violator in DTS 5 1 audio compare to other versions of Violator?
A: Violator in DTS 5 1 audio has higher quality than the original CD version or the remastered CD version of Violator. It also has higher quality than the SACD version or the vinyl version of Violator. However, it has lower quality than the Blu-ray Audio version of Violator, which features Dolby TrueHD 5.1 audio and PCM stereo audio.
Q: What are some other albums by Depeche Mode that are available in DTS 5 1 audio?
A: Some other albums by Depeche Mode that are available in DTS 5 1 audio are Music for the Masses (1987), Songs of Faith and Devotion (1993), Ultra (1997), Exciter (2001), Playing the Angel (2005), Sounds of the Universe (2009), Delta Machine (2013), and Spirit (2017).
Q: What are some other artists or genres that sound good in DTS 5 1 audio?
A: Some other artists or genres that sound good in DTS 5 1 audio are Pink Floyd (progressive rock), Daft Punk (electronic dance music), Radiohead (alternative rock), Björk (experimental pop), Hans Zimmer (film music), Enya (new age), Metallica (heavy metal), and Norah Jones (jazz).